Time Warp Festival Overcomes Adversity With Credible American Debut
Techno has arrived in America. Well, at least in Brooklyn.
Already home to standout underground clubs Output and Verboten, the New York borough played host to the first American edition of legendary German techno festival Time Warp this last weekend.
Originally slated to take place at the Bronx’s Kingsbridge Armory, the two-night festival was forced to relocate to Brooklyn’s 39th Street Pier in October after failing to secure the necessary permits. While the warehouse space did not quite match the original venue’s scale, it accommodated the festival admirably given the short timeframe on the venue switch.
The festival production was undeniably impressive, particularly on the sprawling Cave Stage that played host to most of the event’s marquee acts. Emulating the gaping maw of the Mannheim original with a full-floor design modeled after an arctic ice cave, the stage bristled with an intimidating sea of strobes that perfectly complemented the space age soundtrack. The sound quality, an important detail for techno’s discerning fan base, was also surprisingly good.
The fledgling event was not without some expected growing pains. The ticketless third-party CoatChex coat check system backfired in a big way, as many attendees were forced to wait for upwards of an hour-and-a-half to retrieve their belongings after the festival finished. The lineup’s strength was also significantly skewed towards Saturday. While it’s understandable to accommodate fans returning from Thanksgiving, this created some difficult scheduling conflicts on the festival’s second day.
Overall, Time Warp US overcame its permit issues to deliver a successful debut that drew 9,500 total attendees over two nights. Billboard takes you back to the warehouse to recap the highlights from the festival’s inaugural weekend in Brooklyn.
While the lineup was originally announced in alphabetical order, everyone knew that Hawtin was the headliner. The Windsor native did not disappoint, turning in a varied and memorable performance to close out the Cave Stage on Saturday night. Hawtin’s musical fare veered from throbbing minimal synth lines to fluid snare-supported grooves, actively volume-fading and filtering to lend his muscular bass lines maximum effect. Hawtin also threw some offbeat inclusions into the mix, closing out with a thunderous techno-trap hybrid track and his alias Plastikman’s “Exhale” while the stage’s flags lowered to enclose attendees in blue iridescence.
Hawtin ditched his usual composure for magnetic exuberance, dancing dramatically and standing atop the booth while mischievously teasing the crowd no less than four times after it seemed his set had ended. However, he took the animated approach a bit too far by pushing a stage monitor into an iPhone-wielding fan who was too close to him. While no one was injured, Hawtin apologized to her in a statement on Facebook, claiming it was not his intention for the speaker to fall off the stack.
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